January 23, 2024

Who might I become?

A little while ago, I wrote a list of things I ask myself when I’m deciding to take on a project or not. Now, a little wiser, there’s another question to add to that list – who might I become?

I’ve just finished reading, To Photograph is to Learn How to Die, where Tim Carpenter makes the (very convincing) argument of the relationship between our self and our ‘not self’ and how, overtime, this relationship changes who we are; our idenitity and how we behave, or, our ethics.

So, amongst all the reasons for prioritising one project over another (especially given our finite time on this Earth), thinking about the influence of a project on shaping who we might become feels valuable. It also feels terrifying. What if I choose the wrong project? Do I become a version of myself I never wanted to be? But, in that terror is also freedom; an acknowledgement of the privilege that we have a choice at all.

Whilst it may seem terrifying, it feels less terrifying than the opposite, which is to not think about this, take project after project and then wake up as a person you don’t recognise (or worse, don’t particularly like) in 20 years of doing what will be, by default, your life’s work.

Other observations
March 24, 2026

I have to work today

What if, on the days we don’t feel like making art, we do anyway? In the same way that we show up to our day jobs when we don’t fee like it?

March 17, 2026

Scared of progress

The problem with progress is that we’re likely to learn that we’re either not good enough or not ambitious enough. But maybe there’s no other way?

March 3, 2026

The ancestors are speaking

What might we be able to tell ourselves and listen for in order to provoke more positive energy and action in our art practice?

February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

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