April 21, 2026

Keeping warm

You’d think that, to have more energy for creative work, one would need to conserve or ‘save it up’ from other areas of life. An ‘easy’ or ‘boring’ day job should mean that when I clock off at 5pm, I’m raring to go with creative energy for my own projects. But it doesn’t work that way.

It’s a bit like running a 40km marathon. I’m not more likely to run one well if, in preparation, I sat on the couch to conserve my energy for a week. I need to work up to it with consistent and routine work.

What my creative work seems to need is something comfortably uncomfortable. A day job that is stimulating, intellectual, and collaborative but with little emotional labour. This combination keeps my brain and heart warm so that when ‘personal’ time arrives, I’m more likely to be able to run the marathon it takes to make great art because I’ve already been on a slow jog.

Other observations
July 7, 2026

Polishing the rice

What can I learn from how brewers help or hinder the flavour profile of rice when they’re making sake?

June 30, 2026

14,500 days unnoticed

If I’ve only noticed the sunrise a handful of times out of tens of thousands of daily opportunities. What else have I missed?

June 23, 2026

Ready? Catch!

If we never know when the world will offer us a new idea, how can we best prepare for the moment when it inevitably comes?

June 16, 2026

Brain, Heart, Hips and Feet

If you feel like dancing, you probably wouldn’t book last minute tickets to a Chopin concert. So what’s bad music? And can bad books exist?

June 9, 2026

Exposure matters less and less

What changes in an art practice when the sharing of the work one makes becomes secondary to making the work in the first place?

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