October 10, 2023

A wilderness with a map

William Stafford’s poem, A Course in Creative Writing, does what great poems often do – reveal to us a truth that we’re too caught up in life to see.

A week or two wouldn’t pass without an email in my inbox – how do I get into children’s publishing? And, the internet is full of helpful (and expensive) courses, masterclasses, & tutorials that promise to teach storytelling for children. Yet, the emails still come.

My story is not like the others. I never followed any of the advice. I never set out to fill a market need. I never researched publishers. I never even thought about children’s publishing as an end goal. All I did was make stuff I liked, then told people about it. The rest isn’t history, it’s a career.

Whilst I do believe that there are some fundamental skills one can learn when it comes to storytelling – structure, character development, the mechanics of writing and drawing – what cuts through is originality and authenticity. How does one find that? Well, perhaps William Stafford already has the answer?

Other observations
March 3, 2026

The ancestors are speaking

What might we be able to tell ourselves and listen for in order to provoke more positive energy and action in our art practice?

February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

February 17, 2026

Visibility and confidence

How might we become less reliant on other people’s reaction to our work and the confidence to make more of it?

February 10, 2026

Proof of existence

Why do I feel compelled to share my work with anyone at all? Isn’t it enough just to make it for me?

February 3, 2026

Something beyond raw materials

Some work, like some meals, stand out more than others. So what’s on the plate or canvas that goes beyond ingredients or paint?

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