November 21, 2023

The possibilities in a pencil

I’m not sure there’s a more useful, cheap, and versatile tool than a pencil.

I, and I assume like many others out there trawling social media, love to see the materials that other artists use and how they use them. I see someone painting with gouache and think, “ooh, that looks fun” and then I go down a rabbit hole of trying to use gouache for a while. The same thought process occurs when I see lino printing, watercolour, ink, soft pastels, wax crayons, coloured pencils and so on.

Yet, no matter what I buy, and how often I play, I find myself returning to the pencil. That small, humble, 50c stick of graphite and some cartridge paper has the ability to create worlds. There is no other material that produces something so quickly, so easily and without the feeling of committment. If I’m searching for a beginning in the uncertainty of an empty page, the pencil will be the tool that will help me find it. It reduces the number of decisions one needs to make in the mark-making process and yet its possibilities for putting life on a page (and just as quickly removing it) are infinite.

It may seem boring but the possibilities in a pencil can be, have been, life-changing.

Other observations
April 21, 2026

Keeping warm

Why is it more difficult to make creative work when I’ve rested all day? Shouldn’t the energy I’ve saved through rest be fuel to maximise creative output?

April 14, 2026

Feeding off in-person energy

If something feeds the soul and something else drains it, why is it so difficult to prioiritise the thing that’s good for us?

April 7, 2026

Permission to be done

How do we know when something is done and what’s the value of calling something done even if we’re not happy with how it turned out?

March 24, 2026

I have to work today

What if, on the days we don’t feel like making art, we do anyway? In the same way that we show up to our day jobs when we don’t fee like it?

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