February 1, 2022

Stepping away

After three years of journalling weekly, I finally gave myself permission to take a break. I felt horrifically guilty about it for a while – breaking a commitment to myself always feels like failing – and journalling has always been a really positive way for me to reflect on what I’m thinking and feeling in any given week: a way for things I may or may not have noticed to bubble up to the surface. But, I also value experimentation and shaking routines and habits up a bit, at least for a while, to see what happens.

Stepping away has become an essential part of my art practice over time. I’d do some deep and extensive illustration work, then put it aside for a day, or sometimes a week, and re-visit with fresh eyes. I see things I never noticed before, and new ideas often come from a fresh look at work I was, at one point, so deeply in.

As it turns out, stepping away from the journal for a month has brought a similar sense of clarity and reflection to it. Not just about the day-to-day writing of the words and the weekly penning of thoughts, but the point of it; the purpose. Not only that, but there’s an eagerness within me that wasn’t there before, an eagerness to help other artists on a similar journey benefit from what I learn on mine.

Taking a bird’s eye look at the work on the journal, there are now over 180 individual journal entries! I’d never imagined that the journal itself would become a body of work but here we are. It’s an example of the things I’ve picked up over the years – things take longer than we expect, consistency over quality, chipping away at things, drip-by-drip, all come together to create something of substance. Something special.

Stepping away needs the opposite, too; periods of leaning in. And so now it’s time to do a bit of that again – just like refining a drawing after some time away. What I’ve learned is that perhaps three years of relentless journalling might be too much? Maybe the work would benefit from stepping away a little more regularly? But then again, maybe not. The fun bit is working it all out.

Other observations
April 21, 2026

Keeping warm

Why is it more difficult to make creative work when I’ve rested all day? Shouldn’t the energy I’ve saved through rest be fuel to maximise creative output?

April 14, 2026

Feeding off in-person energy

If something feeds the soul and something else drains it, why is it so difficult to prioiritise the thing that’s good for us?

April 7, 2026

Permission to be done

How do we know when something is done and what’s the value of calling something done even if we’re not happy with how it turned out?

March 24, 2026

I have to work today

What if, on the days we don’t feel like making art, we do anyway? In the same way that we show up to our day jobs when we don’t fee like it?

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