January 12, 2021

Yesterday’s work

I painted 3 paintings yesterday, and when I look at them today, I can’t help but see they’re all terrible. But, they are less terrible than the ones I did the day before yesterday. And when I compare the ones I did the day before that to the ones I did 3 months before, or 6 months before, or 5 years before, I realise that the older the work, the worse it is. But using this logic, it also means that the work I’ve just done today, the work that, right now, I think is my best work, won’t be my best tomorrow.

Maybe feeling ashamed of old work is the point. If we don’t look back on our work and see the faults or feel embarrassed by them, then maybe we haven’t learned anything by doing that work. And really, in the end, isn’t that the whole point of this art journey – to learn with every attempt and apply those lessons to the next work? The treacherous and wonderful thing about it is that it’s an infinite game – we play to play, not to win, because tomorrow-Matt will always be a slightly better artist than yesterday’s one. All I have to do is keep making the work.

Other observations
July 7, 2026

Polishing the rice

What can I learn from how brewers help or hinder the flavour profile of rice when they’re making sake?

June 30, 2026

14,500 days unnoticed

If I’ve only noticed the sunrise a handful of times out of tens of thousands of daily opportunities. What else have I missed?

June 23, 2026

Ready? Catch!

If we never know when the world will offer us a new idea, how can we best prepare for the moment when it inevitably comes?

June 16, 2026

Brain, Heart, Hips and Feet

If you feel like dancing, you probably wouldn’t book last minute tickets to a Chopin concert. So what’s bad music? And can bad books exist?

June 9, 2026

Exposure matters less and less

What changes in an art practice when the sharing of the work one makes becomes secondary to making the work in the first place?

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