September 1, 2020

The problem with pure

A purist will tell you that unless you start and finish a painting outdoors, then you can’t call it a Plein Air painting. A purist will tell you that oil paints are the only true medium. A purist will tell you that using anything but lightfast pigments makes your work less legitimate; even worse, that digital painting isn’t ‘real painting’.

The thing with pure is that pure always changes. Right now, the purists turn their nose up at acrylic artists because ‘it’s not the real thing.’ Back in Turner’s day, you never had the real thing unless your assistant spent hours on end grinding your pigments on location for you. Does that mean that oil painters who use tube-paints today are any less pure or legitimate?

Art and technology co-exist. It will continue to do so forever. That doesn’t make an artist’s work today any less ‘pure’ than yesterday’s artist, or any purer than tomorrow’s. What matters is that artist’s are making work they want to make. Work that matters to them. The medium is, in so many ways, impure, no matter when and how you look at it.

Other observations
July 7, 2026

Polishing the rice

What can I learn from how brewers help or hinder the flavour profile of rice when they’re making sake?

June 30, 2026

14,500 days unnoticed

If I’ve only noticed the sunrise a handful of times out of tens of thousands of daily opportunities. What else have I missed?

June 23, 2026

Ready? Catch!

If we never know when the world will offer us a new idea, how can we best prepare for the moment when it inevitably comes?

June 16, 2026

Brain, Heart, Hips and Feet

If you feel like dancing, you probably wouldn’t book last minute tickets to a Chopin concert. So what’s bad music? And can bad books exist?

June 9, 2026

Exposure matters less and less

What changes in an art practice when the sharing of the work one makes becomes secondary to making the work in the first place?

View all