December 17, 2019

All in

It’s easy for people who don’t need to risk it all to advise others to do it instead. After all, it’s the romance of it, isn’t it? Imagine giving a friend some advice to leave their day job and follow their growing interest in making art. Imagine they achieve the impossible – a full-time, well-paid career in the arts? “You can do it,” you said. “Just believe in yourself!” Maybe you could be the one that said, “If you don’t do it now, you never will,” or, “If you don’t cut yourself off from your day job, are you really committing to the practice?”

But maybe it’s possible to be all-in, without needing to be all-in. Maybe all-in means 300 words a week on your novel while you go to work, feed your family, and care for your sick mother. Maybe all-in is 300 words a month, because life is complicated and hard, and we weren’t all born with the same privilege. Maybe all-in is not right now, but later, when things get a bit easier.

All-in, like risk, is relative. What all-in means to one, is different from another. When they’re your chips that you’re risking, it matters more. You can still be all-in on your art, without having to rely on it to pay your bills. In fact, it might be the best way.

Other observations
April 21, 2026

Keeping warm

Why is it more difficult to make creative work when I’ve rested all day? Shouldn’t the energy I’ve saved through rest be fuel to maximise creative output?

April 14, 2026

Feeding off in-person energy

If something feeds the soul and something else drains it, why is it so difficult to prioiritise the thing that’s good for us?

April 7, 2026

Permission to be done

How do we know when something is done and what’s the value of calling something done even if we’re not happy with how it turned out?

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