There is a benefit to collaborations and commissions that involve an artist making work that their unconscious bias has prevented thus far
External influence
There is a benefit to collaborations and commissions that involve an artist making work that their unconscious bias has prevented thus far
When are we avoiding action because of fear versus needing to be patient for the work to find it’s place and time.
While there’s value in imposing constraints on one’s art practice, the opposite is probably true, but how do we decide?
I find writing with pictures much easier than writing with words? But people always say start with the words?
Unless your idea is made, it joins the pile of ‘ideas I should make’, not the pile you can call ‘my body of work’.
What if we were able to tell ourselves a story to be OK with prioritising art in our lives? What sort of work would we make?
Drawing gives me energy in different ways, but there’s nothing quite like watching it give power to a child.
Anyone can write a story about anything, but only I can write a story about the stuff I care about.
What happens when children’s publishing is too afraid to focus on good fiction?
A journey into art may be about reckoning with how little one knows about oneself and the rest of the world.