April 26, 2022

Known unknowns

Back when I started my design career, I thought everyone else was wrong and I was right. Then, after a few years in the job (and frustrated about why people weren’t seeing things my way), I realised that I was the one who didn’t know anything, and that I had a lot to learn. I was lucky to have been surrounded by supportive, giving, and experienced designers who taught me how to be a better one, and also showed me the multi-dimensional aspect of what it really meant to be a designer. Now, 15 years later, I’m the one who knows a few things about design, so my role is to teach (even though I’m still learning new things everyday).

And now, in storytelling, I’m back to being a junior. But this time is different because now I know that I don’t know, and that’s liberating. Now, instead of being frustrated about why people just aren’t doing things my way, I enter into everything with curiosity. I’m a sponge for information. I know that, from my experience as a designer, seeking out people who have gone and done it before me will help. It’ll prove to me, rather quickly, that what I think I know is wrong, and that they’ve got different (and often better) ways to approach the craft. In the end, it’s really just about being the best storyteller I can be, and I’ve got a lot to learn, the difference is, this time around, I know it.

Other observations
July 7, 2026

Polishing the rice

What can I learn from how brewers help or hinder the flavour profile of rice when they’re making sake?

June 30, 2026

14,500 days unnoticed

If I’ve only noticed the sunrise a handful of times out of tens of thousands of daily opportunities. What else have I missed?

June 23, 2026

Ready? Catch!

If we never know when the world will offer us a new idea, how can we best prepare for the moment when it inevitably comes?

June 16, 2026

Brain, Heart, Hips and Feet

If you feel like dancing, you probably wouldn’t book last minute tickets to a Chopin concert. So what’s bad music? And can bad books exist?

June 9, 2026

Exposure matters less and less

What changes in an art practice when the sharing of the work one makes becomes secondary to making the work in the first place?

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