March 31, 2026

A confident line over a competent line

There seems to be two ways I make marks. The first way is ‘competently’. This involves multiple pencil sketches to mould/sculpt a drawing to get it where I want it to be. The lines are sketchy, the paper is often rubbed raw with eraser marks, but the lines are where I imagined them to be. It also means there is often a ‘stiffness’ in the drawing.

The second way of approaching mark making is ‘confidently’. A single stroke, no erasing, just a mark on a page. If that mark lands where I intend it to, great! But it often doesn’t. Instead of reaching for the eraser, the process becomes more about how I react to that mark. With a ‘confident’ approach, the next mark needs to be one made in relation to what’s already on the page because it’s no longer about what I can see in my head, it’s only about what’s on the page.

The ‘confident’ approach means a ‘less accurate’ drawing compared to what I imagined it to be but it also means a more free/open/unpredictable drawing and for me, a more interesting one.

Perhaps if I spend more time practicing confident lines over competent ones, the confident ones may increasingly land where I intend them to and the best of both worlds will appear on the page.

Other observations
April 21, 2026

Keeping warm

Why is it more difficult to make creative work when I’ve rested all day? Shouldn’t the energy I’ve saved through rest be fuel to maximise creative output?

April 14, 2026

Feeding off in-person energy

If something feeds the soul and something else drains it, why is it so difficult to prioiritise the thing that’s good for us?

April 7, 2026

Permission to be done

How do we know when something is done and what’s the value of calling something done even if we’re not happy with how it turned out?

March 24, 2026

I have to work today

What if, on the days we don’t feel like making art, we do anyway? In the same way that we show up to our day jobs when we don’t fee like it?

March 17, 2026

Scared of progress

The problem with progress is that we’re likely to learn that we’re either not good enough or not ambitious enough. But maybe there’s no other way?

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