July 30, 2019

Fill the cutting room floor

I wonder what it would be like if our goal was to fill the cutting room floor, instead of ‘write or illustrate a book’.

When a filmmaker makes a feature-length film, they shoot thousands of hours of footage. In the film-making culture, you always shoot more than you ever need. It’s expected that most of what is shot over years of filming will never end up in the movie; it’ll remain on the cutting room floor. It’s part of the process. When you’re making a film, that’s normal.

When you’re writing a book, or illustrating a story, it’s hard to let go of the first draft. We want it all to be in the book. It took hours to write or draw. We spent weekends on it, or precious time when the kids were asleep. We worked so hard to make the number of words people say you need for a book. And now we’ve done it. The book is done. We’re done.

But professional writers know that writing a book, and making a film, have similarities. We have to write or draw much more than we’ll ever need. We’ve got to fill the cutting room floor so that, of the thousands of hours of work we’ve put in to make all those words and pictures, only the best bits will see the light of day.

Other observations
October 1, 2024

Surrounding the idea

Might the act of mark-making be a pathway to the subconscious where we get to meet a version of ourselves we’ve never met before?

September 24, 2024

Feeling useful

Why are there so many people wanting to be published in children’s literature?

September 17, 2024

Abstraction and invitation

What benefits come from leaving room for another human or two to intepret and find meaning in the work we make?

September 10, 2024

The amateur artist

Why do so many kids stop drawing at the age of about 10. And what if they didn’t?

September 3, 2024

Who decides?

Who decides what gets to embed and live continuously in our culture for hundreds of years? And if it does, does it mean it’s good?

View all