I’m an avid listener of the Plein Air Podcast – a podcast that spends a good hour or so with an individual artist who shares some of their deep insight from a career in art. Yes, it’s decidedly and narrowly American, but there’s some good advice there. And recently, I’ve come to read some of… Continue reading Don’t start your painting with ‘values’
Category: Making
Sketches of Uluru and Central Australia
In 2017, I travelled with my family to the middle of Australia. And when I say middle, I mean that. Riiiight in the middle. The heart of the country. A place where the sand is as red as blood. No matter how much you prepare for it, it always takes your breath away. It took… Continue reading Sketches of Uluru and Central Australia
How I got ‘movement’ in my work (without realising)
Sometimes, it takes someone else to unlock an insight in your work that was so intuitive to you that you couldn’t see it. And then, it’s like a rocket booster.
Am I missing out on Art School?
I’m a self-taught professional artist. I’ve only just recently started saying that to myself, and it feels really good. I’m proud of it. I managed my way into an industry by taking a different path; one that’s far less trodden but more accessible than ever. But. I haven’t done ‘official’ training, and that still worries… Continue reading Am I missing out on Art School?
How to: Paint a mural
Having completed my first five-metre mural on glass, I wanted to share this little how-to guide to help other artist and illustrators shortcut the process if they ever want to try this themselves. At the time, I found it very difficult to piece together disparate pieces of information across the internet on how to do… Continue reading How to: Paint a mural
Fine art inspiration: Richard Musgrave-Evans
What speaks to me in Richard’s work is its apparent simplicity. I’m a minimalist at heart, I’m always looking to reduce complexity in anything I do; in life, work and art. So, the rawness and energy that he achieves with smart use of colour and a simple palette knife have me addicted. Like with most… Continue reading Fine art inspiration: Richard Musgrave-Evans
How to: sketch with words
I’ve never really identified with being a ‘literary’ person. And yes, I’m aware of the irony given I’m an author/illustrator. I’ve always identified with being a more visual person rather than a wordsmith. As a kid, I remember drawing a lot, but I don’t remember reading or writing very much. To me, the term ‘literary’… Continue reading How to: sketch with words
Vinyl in the studio: Gurrumul, The Shins, Arcade fire and Khruangbin
I don’t know if anyone even listens to albums anymore. Music is a necessity when I’m painting or drawing and whilst I like the idea of things like “artist radio station”, nothing beats 45-70 minutes with the same artist who has painstakingly explored their soul and curated a sequence of songs that take you somewhere.… Continue reading Vinyl in the studio: Gurrumul, The Shins, Arcade fire and Khruangbin
My core colour palette: eleven pigments that have earned my trust
After 5 or so years of painting with watercolour, I’ve spent A LOT of money on paint. Some have been a brilliant investment, while others sit in the draw. There are some tubes that have only a few millilitres used and I’m unlikely to go to them any time soon. The problem is, I love… Continue reading My core colour palette: eleven pigments that have earned my trust
Where do ideas come from?
People ask me, ‘Where do you get your ideas?’ And, like most writers, I have the standard answer, “From life.” But I know it’s not a good answer. It’s vague, unhelpful, and to be honest, a bit of a cop-out. A better answer would be, “It’s complicated” or “I actually don’t know”. But that’s also… Continue reading Where do ideas come from?
