April 21, 2026

Keeping warm

You’d think that, to have more energy for creative work, one would need to conserve or ‘save it up’ from other areas of life. An ‘easy’ or ‘boring’ day job should mean that when I clock off at 5pm, I’m raring to go with creative energy for my own projects. But it doesn’t work that way.

It’s a bit like running a 40km marathon. I’m not more likely to run one well if, in preparation, I sat on the couch to conserve my energy for a week. I need to work up to it with consistent and routine work.

What my creative work seems to need is something comfortably uncomfortable. A day job that is stimulating, intellectual, and collaborative but with little emotional labour. This combination keeps my brain and heart warm so that when ‘personal’ time arrives, I’m more likely to be able to run the marathon it takes to make great art because I’ve already been on a slow jog.

Other observations
April 14, 2026

Feeding off in-person energy

If something feeds the soul and something else drains it, why is it so difficult to prioiritise the thing that’s good for us?

April 7, 2026

Permission to be done

How do we know when something is done and what’s the value of calling something done even if we’re not happy with how it turned out?

March 24, 2026

I have to work today

What if, on the days we don’t feel like making art, we do anyway? In the same way that we show up to our day jobs when we don’t fee like it?

March 17, 2026

Scared of progress

The problem with progress is that we’re likely to learn that we’re either not good enough or not ambitious enough. But maybe there’s no other way?

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