January 28, 2025

Escaping the whirlpool of doubt and uncertainty

When I consider a risk, I tend to over-estimate them rather than under-estimate them. I suspect that’s a largely common response as a way to prioritise safety and survival. For example, when I think about skydiving, the risk seems catastrophic – worst case scenario is that I die. But, when I look at the data, what I see is a fairly low probability of death (~ 1 death every 200,000 jumps).

Because I have this tendency to overestimate risks, I’ve developed a practice of writing them down. As soon as I see them on a page, I think about them differently – they generally seem less risky, and the options I have for mitigating them seem more plentiful. By giving them a likelihood (rare → almost certain) and a consequence (minor → major) rating, they are easier to compare and separate from one another. In corporate land, they call this a risk matrix.

If I let these ideas swim circles in my head, they only continue to generate a whirlpool of doubt and uncertainty. Just like when I draw, paint or illustrate, it’s in the act of mark-making that I find clarity and confidence to know what to do next.

Other observations
March 24, 2026

I have to work today

What if, on the days we don’t feel like making art, we do anyway? In the same way that we show up to our day jobs when we don’t fee like it?

March 17, 2026

Scared of progress

The problem with progress is that we’re likely to learn that we’re either not good enough or not ambitious enough. But maybe there’s no other way?

March 3, 2026

The ancestors are speaking

What might we be able to tell ourselves and listen for in order to provoke more positive energy and action in our art practice?

February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

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