January 28, 2025

Escaping the whirlpool of doubt and uncertainty

When I consider a risk, I tend to over-estimate them rather than under-estimate them. I suspect that’s a largely common response as a way to prioritise safety and survival. For example, when I think about skydiving, the risk seems catastrophic – worst case scenario is that I die. But, when I look at the data, what I see is a fairly low probability of death (~ 1 death every 200,000 jumps).

Because I have this tendency to overestimate risks, I’ve developed a practice of writing them down. As soon as I see them on a page, I think about them differently – they generally seem less risky, and the options I have for mitigating them seem more plentiful. By giving them a likelihood (rare → almost certain) and a consequence (minor → major) rating, they are easier to compare and separate from one another. In corporate land, they call this a risk matrix.

If I let these ideas swim circles in my head, they only continue to generate a whirlpool of doubt and uncertainty. Just like when I draw, paint or illustrate, it’s in the act of mark-making that I find clarity and confidence to know what to do next.

Other observations
June 17, 2025

An act of defiance

Is there are point to making anything when computers (or someone else) already has?

June 10, 2025

Watch to the end

Are we complicit in providing ‘addictive’ content, dressed up as ‘art’ or ‘good marketing’?

June 3, 2025

The secondary job

Am I a software designer who practices art ‘on the side’ or is it the other way around?

May 27, 2025

Mis en place

Might I make better work if, at the end of everyday, I put everything back in its place – just like they do in commercial kitchens?

May 20, 2025

Artificial intelligence and art

Are artists under threat from generative artificial intelligence? Or is the ‘competition’ we see just misunderstood?

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