January 28, 2025

Escaping the whirlpool of doubt and uncertainty

When I consider a risk, I tend to over-estimate them rather than under-estimate them. I suspect that’s a largely common response as a way to prioritise safety and survival. For example, when I think about skydiving, the risk seems catastrophic – worst case scenario is that I die. But, when I look at the data, what I see is a fairly low probability of death (~ 1 death every 200,000 jumps).

Because I have this tendency to overestimate risks, I’ve developed a practice of writing them down. As soon as I see them on a page, I think about them differently – they generally seem less risky, and the options I have for mitigating them seem more plentiful. By giving them a likelihood (rare → almost certain) and a consequence (minor → major) rating, they are easier to compare and separate from one another. In corporate land, they call this a risk matrix.

If I let these ideas swim circles in my head, they only continue to generate a whirlpool of doubt and uncertainty. Just like when I draw, paint or illustrate, it’s in the act of mark-making that I find clarity and confidence to know what to do next.

Other observations
December 2, 2025

Making a map of dead ends

If we can more easily see the paths we shouldn’t follow, does that make finding the correct one easier?

November 25, 2025

Paying the bills

No matter which way you dice the onion, there’s no escaping the need for money to live. So how might art factor into that?

November 18, 2025

Just feed me

If more choice for a consumer is better, then why do chef’s banquets and ‘just feed me’ options exist in restaurants?

November 11, 2025

The luxury of having no time

Most of us say we need more time but what if the opposite was true? What if less time helped us move forward?

November 4, 2025

A selfish act?

Can the selfish act of making art become an act of generosity? What happens to others who come across the work we make for ourselves?

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