November 26, 2024

Rendering the invisible

Walking past the laundry doorway, something’s different. Back in winter, we hung a noren – a beautiful piece we bought in Japan almost a year ago. For six months, it hung in our doorway adding a beautiful and subtle separation from the ‘internal’ and ‘external’ world. But today, it’s not hanging straight down – it’s moving a little, very subtly, towards the open backdoor – an invisible force gently pulling it outwards.

Had I not seen the noren hanging in this way, I would never have become aware of the flow of air moving through that part of the house. Because of this simple bit of fabric, I stopped and became hyper-attentive to that moment, that air, that movement – I could actually feel it on my body when I took the time to notice.

It makes me think how little one needs to render the invisible visible; the unfelt, felt. How often this must happen on a day-to-day basis but most of us are too busy to notice. And perhaps, that’s one of the roles of art and the artist – to render what’s there in the gentlest way so that we become more attentive to the world as it is.

Other observations
February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

February 17, 2026

Visibility and confidence

How might we become less reliant on other people’s reaction to our work and the confidence to make more of it?

February 10, 2026

Proof of existence

Why do I feel compelled to share my work with anyone at all? Isn’t it enough just to make it for me?

February 3, 2026

Something beyond raw materials

Some work, like some meals, stand out more than others. So what’s on the plate or canvas that goes beyond ingredients or paint?

January 27, 2026

Effort has value

Whether we’re aware of it or not, humans tend to be able to feel the human effort behind work.

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