June 27, 2023

Writing to think

Among all the reasons for writing, the most important one for me is that I write to think. If I don’t write – this journal, that story – it’s not long before my brain becomes a muddled mess of half-formed, incomplete ideas.

I draw to think, too – either on a whiteboard or in a sketchbook – the physical act of movement, of responding to what emerges on the page that wasn’t there before is critical in helping shape what I see, how I feel, and how I might make others feel.

Many non-writers or drawers assume that artists and writers don’t put pencil to paper or fingers to keyboard until we have the idea. That we wait for ‘divine inspiration to strike, a spirit moving through us or a clear mind image of what needs to appear on paper. The truth is, the idea or the images emerge *through the act*. The best thing about this is that there’s only one way to prove this is true, and you don’t have to have the idea to begin with – just pick up a pencil, or open the text editor, and start.

Other observations
February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

February 17, 2026

Visibility and confidence

How might we become less reliant on other people’s reaction to our work and the confidence to make more of it?

February 10, 2026

Proof of existence

Why do I feel compelled to share my work with anyone at all? Isn’t it enough just to make it for me?

February 3, 2026

Something beyond raw materials

Some work, like some meals, stand out more than others. So what’s on the plate or canvas that goes beyond ingredients or paint?

January 27, 2026

Effort has value

Whether we’re aware of it or not, humans tend to be able to feel the human effort behind work.

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