March 31, 2020

One thing for yourself

We all have bad days at work. I used to have a lot of them. Long hours, hostile colleagues, the type of stress that makes you want to pull your hair out. At the end of days like this, I looked back on them and struggled to feel as though I had accomplished anything at all.

On days like this, I used to think the best thing I could do to recover from it all was to heat a ready-made meal, fire up the TV and lose myself in another episode of my favourite familiar sitcom. On days like this, the last thing I felt like doing is coming home and getting the watercolours out or writing the next page of a manuscript.

But here’s the thing…

I found that if I got to the end of a day and I hadn’t done just one thing for myself, I felt even worse. If I hadn’t chipped away at a poem, or added another 300 half-arsed words to my latest story, or at least drawn a few doodles, the feeling of wading through mud only increased.

In the same way that people who drink coffee ‘need one’ to kickstart the day, or someone practising mindfulness or meditation doesn’t feel ‘normal’ until they’ve had their 5-minutes of presence, art-making became that one thing for me. Maybe that ‘one thing a day’ can be making something. Anything. Progress.

Other observations
April 21, 2026

Keeping warm

Why is it more difficult to make creative work when I’ve rested all day? Shouldn’t the energy I’ve saved through rest be fuel to maximise creative output?

April 14, 2026

Feeding off in-person energy

If something feeds the soul and something else drains it, why is it so difficult to prioiritise the thing that’s good for us?

April 7, 2026

Permission to be done

How do we know when something is done and what’s the value of calling something done even if we’re not happy with how it turned out?

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