What if you didn’t have to rely on drawing to put food on the table?
Illustration doesn’t have to put food on the table
What if you didn’t have to rely on drawing to put food on the table?
Do I really need to dance in front of my canvas to get eyeballs on my work?
When I hold an original, an inner voice, “This is the only one of these in the world.” I don’t get that from a book. Is that OK?
One of the number one pieces of advice I give to emerging illustrators is to amplify your voice by using words and images in your portfolio.
Publishing used to be more about making the book. Now it’s more about selling it.
Is there a real qualitative difference between ‘celebrity’ and ‘real’ authors? Or, are celebrities just another way to extend the reach of books?
Our culture values big – big money, big house, big life. So does staying small correlate to failure?
Which metrics should we be relying to understand whether the quality of our work is ‘good enough’?
What’s art worth? How much and to whom? Do the models for consumer goods map to a painting or sculpture? Or is art worth something different?
Is it better to protect and remunerate one’s ideas as happens in copyright, or is it better to open-source them?