Category: Making

Is it possible to iterate and calculate your way to your authentic self? Or, is the way to get there, in fact, the opposite?

Is there value in doing things the slow way, sometimes? And why don’t monks use leafblowers when there’s so much sweeping to be done?

What does it mean to find ‘the feeling of the thing’ and why would anyone bother?

How might our stories have universal appeal and what can we use to make sure we don’t forget about the core conflict that makes it exciting?

Sometimes we need to give into to our nature to seek out the new – it might lead to something even better than before.

It’s so easy to get sucked in to the possibility of new art supplies without thinking about what they’re for in the first place.

How much isolation does an artist need? And, in it’s pursuit, do we lose something important with a lack of novelty in our lives?

Knowing that there are things you don’t know means we can design a learning curve that is both interesting and well-paced.