One of the number one pieces of advice I give to emerging illustrators is to amplify your voice by using words and images in your portfolio.
A book illustrator’s portfolio: Images without words
One of the number one pieces of advice I give to emerging illustrators is to amplify your voice by using words and images in your portfolio.
I find writing with pictures much easier than writing with words? But people always say start with the words?
Unless your idea is made, it joins the pile of ‘ideas I should make’, not the pile you can call ‘my body of work’.
What if we were able to tell ourselves a story to be OK with prioritising art in our lives? What sort of work would we make?
Drawing gives me energy in different ways, but there’s nothing quite like watching it give power to a child.
Anyone can write a story about anything, but only I can write a story about the stuff I care about.
Something always comes from nothing – but giving ourselves the space to feel nothing is the difficult bit.
What happens when children’s publishing is too afraid to focus on good fiction?
It’s easy to feel that, sometimes, work ‘gets in the way’ of art. But, art needs that time, and those experiences, to make work that matters.
Publishing used to be more about making the book. Now it’s more about selling it.