Can a style be objectively bad and therefore something that can be corrected?
Substance in style
Can a style be objectively bad and therefore something that can be corrected?
Being tired isn’t failure, it’s just an opportunity to do things a little differently than usual.
It only takes a few simple and interesting lines for an idea to emerge, so perhaps we should all just start there?
What if figs in winter weren’t a fiction, but a reality?
Imagine committing to something no matter what. It’s easy to say you are until, of course, the things that truly matter come to the fore.
If you can’t write a 3-page graphic story, how on earth will you write a 300-page, 3-book series?
If the answer to this question is yes, I know I’m on to something.
If I begin with an audience in mind, do I really push myself to produce what I think is exceptional? Or am I just looking to please?
Every now and again, it’s worth sitting back and reflecting on why we spend our time doing what we do – and why it’s fun.
It’s easy to know when a commercial work is complete – there are deadlines and audience. But what happens when the work is just for me?