It’s really difficult to show another human your idea without putting something on the page. In this way, every drawing is a raffle ticket. The more ideas one puts on the page, the greater the chance becomes of connecting with someone – someone who gets it; that may be a loved one, or someone you’ve never met, or a publisher who has the power and budget to take your idea and show it to the world at scale.
Who or what am I really looking for when I put our work out in the world? How do I know it’s any good?
The problem with digital art is that there’s always a piece of software between me and the work, but maybe that’s what makes it a craft?
Where do ideas come from? How does one make something from nothing? Perhaps it’s about recognising the importance of a state of receptivity?
Just because something takes a long time, doesn’t mean it’s old, slow or worse. In fact, in the case of cheese, it may be better.
What if the word ‘comics’ is what’s holding the art form back?
