December 12, 2023

Circuit breaking

It’s easy to get comfortable with our art supplies, our ideas, and our path – especially when what we’re doing has people’s attention. I’m a watercolourist, I tell people. I work in children’s literature, I say. My work is characterised by whimsy, humour, strong characters and quiet minimalism. That’s what people like, it’s what they expect.

But what if it wasn’t?

What if I created work with heavy lines and strong, bold colours? What if something I made was more serious and less humourous than ‘usual’. What if I started working in a different medium? Maybe this would upset a few people? Maybe people would stop paying attention? Maybe the cost of doing the unexpected is career-ending?

Maybe the cost of not doing this is higher.

Other observations
March 3, 2026

The ancestors are speaking

What might we be able to tell ourselves and listen for in order to provoke more positive energy and action in our art practice?

February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

February 17, 2026

Visibility and confidence

How might we become less reliant on other people’s reaction to our work and the confidence to make more of it?

February 10, 2026

Proof of existence

Why do I feel compelled to share my work with anyone at all? Isn’t it enough just to make it for me?

February 3, 2026

Something beyond raw materials

Some work, like some meals, stand out more than others. So what’s on the plate or canvas that goes beyond ingredients or paint?

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