September 21, 2021

This before that: How to prioritise

If you look up the word ‘priority’ in the dictionary you’ll notice something peculiar; there is no plural form. By definition, priority is singular – a thing that is regarded as more important than the others. So, when we try and make “priorities”, we attempt to tell ourselves what’s important but what we’re really doing is deciding that nothing is.

Instead of saying yes, how about saying this before that?

It’s easy for any artist to reel off a list of things that feel important. Do I work on this piece or that one? Do I invest time in social media marketing? Email marketing? Which medium do I work in, I love them all? I’ve been guilty of writing all these tasks down, then categorising them based on the type of activity, then ordering them in those categories. A bit like this:

A to-do list organised by category
Categories give us a sense of order, but not priorty

Of course, what happens in this model is I’ve still got 3 or so things that appear to be equally important. I haven’t really prioritised in the truest sense.

At least until parallel universes open up, time and life are linear. One thing must come before another. It’s not possible to work on e-marketing and exploring a new medium at exactly the same time. I might think I’m ‘multi-tasking’ (also a fallacy by the way) by switching my attention quickly between the two activities but the risk is that both tasks take twice as long for the switching cost involved and, chances are, the quality of each won’t be as good.

Focussing on one thing at a time

But, if we acknowledge that there can be only one priority at a time, things begin to look very different. Firstly, we need to think much more about why something is more important than another. We have to actually make the choice – this before that.

Here’s an alternative way to structure and organise work.

  • The Done column gives me a sense of achievement
  • The In progress column only has one thing in it at a time. If I work on Concepts for a new book and then switch tasks, I move that item back in to Up next and swap it with what I now believe is the most important thing to work on.
  • The Up Next column contains a single, prioritised list. It forces me to choose what’s important across categories. Yes, the order can change, re-prioritising happens all the time. But, in a single-column format, there’s nowhere for me to hedge my bets.
A to-do list organised by progress
A single list, regardless of category, forces us into true prioritisation

How to decide what’s important?

There are many reasons why something should be more important than another – that’s going to be different for every artist at any one time; tasks can be urgent, have high impact, make us feel good, make us money, etc. But, by forcing our ‘priorities’ into a single list, regardless of how we want to ‘categorise’ those things conceptually, what we’re left with is accountability to ourselves and, more importantly, focus.

Yes, there is fear in getting the ranking wrong, of working on something that may not be indeed as important as something else, but it’s better than fooling ourselves into thinking we’re doing a lot of important work all the time. A single list makes sure that we can continually ask the question, anyway, so it’s likely that we may just be one or two items off at any given time, but by working this way, we’re increasing the chances that we’re working on the most valuable things first – and that’s really the priority.

Other observations
June 3, 2025

The secondary job

Am I a software designer who practices art ‘on the side’ or is it the other way around?

May 27, 2025

Mis en place

Might I make better work if, at the end of everyday, I put everything back in its place – just like they do in commercial kitchens?

May 20, 2025

Artificial intelligence and art

Are artists under threat from generative artificial intelligence? Or is the ‘competition’ we see just misunderstood?

May 13, 2025

It ain’t gonna draw itself

What happens to an idea if I’m too scared to draw it? If I don’t feel skilled enough? If I’m just not ready?

May 6, 2025

Like a machine

Should artists aspire for robotic-like accurate and consistency like those who are the best in their sport?

View all