November 10, 2020

No one will see my private parts

Over the years, I’ve found it’s important to have two streams of work. Let’s call them Practice and Performance.

Practice is the private stuff – The stuff nobody sees. It’s just for me. It’s the core of ‘art’ i.e. a way for me to engage with the world and understand what I think through the act of making stuff. It might be painting, drawing, poetry, sculpture, or music. The Practice is the essential building blocks for the stuff that the world eventually does get to see. I don’t have to compromise in Practice because it’s just for me. There’s no negotiation, no collaboration, most often, there’s no goal. It’s at once heart-wrenching as it is heart-warming. It requires so much energy, but also gives a lot of energy back to me.

Performance is the public stuff. The stuff that requires collaboration, negotiation, compromise. It’s still fun, but it begins with a purpose. It’s not just for me. It’s a problem I’m trying to solve for someone else. There’s a reader (or viewer) now. A publisher. An editor. I’m trying to convey a message. Achieve a goal. It’s a telic pursuit, not an atelic one.

Neither is better or worse as both are critical to growing as an artist and being able to fund the journey along the way. But, in this age of social media, where the algorithms are driving us to post more and more lest we be forgotten, it’s harder and harder to keep the sanctity of the private practice, the stuff that really matters. We are urged to blur the lines: share ‘works in progress’, reveal what’s going on behind the scenes. We’re told that we get the best engagement that way, the bigger follower count, we’re ‘building our audience,’ which, they tell us, will make us more money.

But the privacy that is essential to any practice is the stuff that feeds the artist’s soul. Without that soul food, there is no performance or, even worse, everything becomes performance. when that happens, well, we’ve no longer got a space to answer questions just for us, what we end up with is just constant anxiety about the follower count and no room to grow.

Other observations
March 24, 2026

I have to work today

What if, on the days we don’t feel like making art, we do anyway? In the same way that we show up to our day jobs when we don’t fee like it?

March 17, 2026

Scared of progress

The problem with progress is that we’re likely to learn that we’re either not good enough or not ambitious enough. But maybe there’s no other way?

March 3, 2026

The ancestors are speaking

What might we be able to tell ourselves and listen for in order to provoke more positive energy and action in our art practice?

February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

View all