December 2, 2025

Making a map of dead ends

For me, pencil and paper works best to clarify an uncertain idea; the type of idea that may be a single sentence in a notebook, “A story about how we cannot see the forest for the trees sometimes.”

There are often more bad ideas than good ones to begin with when an idea is this unformed. If I try to flesh this idea out on a computer via a word processing tool or a tablet, bad ideas are instinctively and easily erased. And if they are erased, are they also easily forgotten? And if they are forgotten, does it become easier to generate the bad idea again? To revisit old ground? To feel that progress is slow and circular?

With marks on paper, bad ideas remain visible. The page begins to reveal a map of paths that lead to dead ends. With more visibility of the bad paths, is it easier to find the good one? The right one?

Other observations
March 3, 2026

The ancestors are speaking

What might we be able to tell ourselves and listen for in order to provoke more positive energy and action in our art practice?

February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

February 17, 2026

Visibility and confidence

How might we become less reliant on other people’s reaction to our work and the confidence to make more of it?

February 10, 2026

Proof of existence

Why do I feel compelled to share my work with anyone at all? Isn’t it enough just to make it for me?

February 3, 2026

Something beyond raw materials

Some work, like some meals, stand out more than others. So what’s on the plate or canvas that goes beyond ingredients or paint?

View all