December 2, 2025

Making a map of dead ends

For me, pencil and paper works best to clarify an uncertain idea; the type of idea that may be a single sentence in a notebook, “A story about how we cannot see the forest for the trees sometimes.”

There are often more bad ideas than good ones to begin with when an idea is this unformed. If I try to flesh this idea out on a computer via a word processing tool or a tablet, bad ideas are instinctively and easily erased. And if they are erased, are they also easily forgotten? And if they are forgotten, does it become easier to generate the bad idea again? To revisit old ground? To feel that progress is slow and circular?

With marks on paper, bad ideas remain visible. The page begins to reveal a map of paths that lead to dead ends. With more visibility of the bad paths, is it easier to find the good one? The right one?

Other observations
March 24, 2026

I have to work today

What if, on the days we don’t feel like making art, we do anyway? In the same way that we show up to our day jobs when we don’t fee like it?

March 17, 2026

Scared of progress

The problem with progress is that we’re likely to learn that we’re either not good enough or not ambitious enough. But maybe there’s no other way?

March 3, 2026

The ancestors are speaking

What might we be able to tell ourselves and listen for in order to provoke more positive energy and action in our art practice?

February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

View all