June 24, 2025

A bunch of potatoes

In agriculture, almost everyone knows that monocultures are bad (the Potato Famine is a prime example, although there are many others). Diversity improves the resilience of crops – it makes them less susceptible to a single point of failure (like a single insect or bacteria that could wipe out a monoculture). We don’t seem to see ourselves as a bunch of potatoes, though, do we?

And yet, wouldn’t our individual illustration practices be more resilient if we could do more than one style or work in more than one medium? Most illustrators I know ‘diversify’ their income through selling products (brushpacks or art prints), teach workshops or do school talks/visits. Their income is more resilient because of it.

So, wouldn’t our collective practise be stronger if we had more illustrators doing different types of work within it – more ‘competition’ – including generative AI? More examples of what a person doesn’t want so when they come across someone like you they see that you’re perfect for the job?

Imagine a world where all illustrators produced all the same stuff? It would become so easy to mimic a computer could do it. A lack of diversity makes illustrators and potatoes vulnerable. Why would we want to stop it?

Other observations
February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

February 17, 2026

Visibility and confidence

How might we become less reliant on other people’s reaction to our work and the confidence to make more of it?

February 10, 2026

Proof of existence

Why do I feel compelled to share my work with anyone at all? Isn’t it enough just to make it for me?

February 3, 2026

Something beyond raw materials

Some work, like some meals, stand out more than others. So what’s on the plate or canvas that goes beyond ingredients or paint?

January 27, 2026

Effort has value

Whether we’re aware of it or not, humans tend to be able to feel the human effort behind work.

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