It’s really difficult to show another human your idea without putting something on the page. In this way, every drawing is a raffle ticket. The more ideas one puts on the page, the greater the chance becomes of connecting with someone – someone who gets it; that may be a loved one, or someone you’ve never met, or a publisher who has the power and budget to take your idea and show it to the world at scale.
I have to work today
What if, on the days we don’t feel like making art, we do anyway? In the same way that we show up to our day jobs when we don’t fee like it?
Scared of progress
The problem with progress is that we’re likely to learn that we’re either not good enough or not ambitious enough. But maybe there’s no other way?
What’s a chair for?
If a chair is for sitting, what’s sitting for? Why sit at all?
The ancestors are speaking
What might we be able to tell ourselves and listen for in order to provoke more positive energy and action in our art practice?
Can I do this?
Where does the motivation for beginning mark making come from? Why would I even try in the first place?