December 10, 2024

Building muscles

It’s obvious when it comes to physical activity – if I haven’t run 5km for 20 years, it’s not fair to expect that i’ll put on my running shoes tomorrow and be able to do it without breaking a sweat. It’s expected that I’ll have to work up to it again. 1km per day for a while, then 2km, then 3km and so on.

Same with learning piano. In June, I sat down to a piano in for the first time but knew I wasn’t going to bang out Moonlight Sonata. I pressed a few keys (many of them wrong), made some sounds, played some chords based off an ebook download… then my concentration wained, my fingers grew tired – but it’s a start.

For some reason, I thought that completing a picture book digitally wouldn’t be that different to the 20 or so I’ve already done, but they’ve been HARD. Like trying to walk through a thick swamp.

Normally, I find flow in final art making but there’s been very little of it lately. The software and new workflow has gotten in the way more times than I would have liked and if the Apple Pencil wasn’t worth $200, I probably would’ve snapped it in my moments of frustration.

But…

Something changed towards the end of the second book. I realised, almost without thinking about it, that a workflow had emerged. I opened a canvas, followed a series of steps – lines, flats, colour, render – organised layers after the ‘creative’ bit was done, then prepped files for delivery.

I don’t know why I thought it would be easier. The learning curve was less of a curve and more like a steep wall:

  • It was my first time using Procreate (so I had to learn an entirely new piece of software and how to maintain consistency across those files),
  • my first time dealing with digital colour spaces for illustration (and the onscreen differences),
  • my first time trying to work on two very different books at the same time (switching sizes, materials, styles etc),
  • my first time setting up new files for print across inDesign & Procreate,
  • my first time colour-adjusting after the work was done,
  • my first time working out what the iPad was good for – how to sit with it sustainably and comfortably over long periods of time,
  • and many other things

That’s a lot.

I ran two marathons in 6 weeks having never ran one before and, not only have I made it to the finish line, but I didn’t finish last – I outran myself. In hindsight, it was probably a bit dumb, but isn’t that always the way; sometimes naivety can be a strength.

And, like with any learning experience, now is a time for consolidation. To go back and watch the replays and think about what I could be doing differently next time. What worked and what didn’t. To learn from the successes and the mistakes so that the next marathon is less of a slog – perhaps I can improve my endurance, and who knows, maybe, eventually, work up to a point where I could even find some flow.

Other observations
February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

February 17, 2026

Visibility and confidence

How might we become less reliant on other people’s reaction to our work and the confidence to make more of it?

February 10, 2026

Proof of existence

Why do I feel compelled to share my work with anyone at all? Isn’t it enough just to make it for me?

February 3, 2026

Something beyond raw materials

Some work, like some meals, stand out more than others. So what’s on the plate or canvas that goes beyond ingredients or paint?

January 27, 2026

Effort has value

Whether we’re aware of it or not, humans tend to be able to feel the human effort behind work.

View all