June 25, 2024

Good forgetting

There’s good forgetting and bad forgetting. Bad forgetting is when I can’t remember where I put my keys or glasses. It’s when I can’t remember which shade of green I used for a character that I now need to re-draw for an entire picture book. It’s when I miss my nephew’s birthday. It’s when I can’t find the exact brush I need when I’m mid-wash and only have a limited time before I miss the chance to correct it. Bad forgetting is the type of forgetting that needs structure and routine to guard against.

Good forgetting is entirely different. Good forgetting is when I can’t quite remember how upset I was when grandma died. Or the searing pain when I busted my knee. It’s when I forget I that I couldn’t draw that particular scene many months ago so I try again, and this time, I can do it. It’s when I don’t remember I’ve read a poem, until after I’ve read it a second time, so I get to experience it more than once at different times of my life.

We often associate the idea of forgetfulness with something negative. We talk about it as if it’s a failure and we wish to be less forgetful. But forgetting is useful, it’s an evolutionary advantage.

I wonder what else is like that?

Other observations
May 20, 2025

Artificial intelligence and art

Are artists under threat from generative artificial intelligence? Or is the ‘competition’ we see just misunderstood?

May 13, 2025

It ain’t gonna draw itself

What happens to an idea if I’m too scared to draw it? If I don’t feel skilled enough? If I’m just not ready?

May 6, 2025

Like a machine

Should artists aspire for robotic-like accurate and consistency like those who are the best in their sport?

April 22, 2025

The craft of digital drawing

The problem with digital art is that there’s always a piece of software between me and the work, but maybe that’s what makes it a craft?

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