June 25, 2024

Good forgetting

There’s good forgetting and bad forgetting. Bad forgetting is when I can’t remember where I put my keys or glasses. It’s when I can’t remember which shade of green I used for a character that I now need to re-draw for an entire picture book. It’s when I miss my nephew’s birthday. It’s when I can’t find the exact brush I need when I’m mid-wash and only have a limited time before I miss the chance to correct it. Bad forgetting is the type of forgetting that needs structure and routine to guard against.

Good forgetting is entirely different. Good forgetting is when I can’t quite remember how upset I was when grandma died. Or the searing pain when I busted my knee. It’s when I forget I that I couldn’t draw that particular scene many months ago so I try again, and this time, I can do it. It’s when I don’t remember I’ve read a poem, until after I’ve read it a second time, so I get to experience it more than once at different times of my life.

We often associate the idea of forgetfulness with something negative. We talk about it as if it’s a failure and we wish to be less forgetful. But forgetting is useful, it’s an evolutionary advantage.

I wonder what else is like that?

Other observations
March 24, 2026

I have to work today

What if, on the days we don’t feel like making art, we do anyway? In the same way that we show up to our day jobs when we don’t fee like it?

March 17, 2026

Scared of progress

The problem with progress is that we’re likely to learn that we’re either not good enough or not ambitious enough. But maybe there’s no other way?

March 3, 2026

The ancestors are speaking

What might we be able to tell ourselves and listen for in order to provoke more positive energy and action in our art practice?

February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

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