It may be easy to think, “I’m just drawing for kids, we should keep politics out of it.” But how does one do that when every artistic act – of inclusion or omission – is a political one?
It may be easy to think, “I’m just drawing for kids, we should keep politics out of it.” But how does one do that when every artistic act – of inclusion or omission – is a political one?
Where does the motivation for beginning mark making come from? Why would I even try in the first place?
How might we become less reliant on other people’s reaction to our work and the confidence to make more of it?
Why do I feel compelled to share my work with anyone at all? Isn’t it enough just to make it for me?
Some work, like some meals, stand out more than others. So what’s on the plate or canvas that goes beyond ingredients or paint?
Whether we’re aware of it or not, humans tend to be able to feel the human effort behind work.