It may be easy to think, “I’m just drawing for kids, we should keep politics out of it.” But how does one do that when every artistic act – of inclusion or omission – is a political one?
It may be easy to think, “I’m just drawing for kids, we should keep politics out of it.” But how does one do that when every artistic act – of inclusion or omission – is a political one?
What if, on the days we don’t feel like making art, we do anyway? In the same way that we show up to our day jobs when we don’t fee like it?
The problem with progress is that we’re likely to learn that we’re either not good enough or not ambitious enough. But maybe there’s no other way?
If a chair is for sitting, what’s sitting for? Why sit at all?
What might we be able to tell ourselves and listen for in order to provoke more positive energy and action in our art practice?
Where does the motivation for beginning mark making come from? Why would I even try in the first place?