January 23, 2024

Who might I become?

A little while ago, I wrote a list of things I ask myself when I’m deciding to take on a project or not. Now, a little wiser, there’s another question to add to that list – who might I become?

I’ve just finished reading, To Photograph is to Learn How to Die, where Tim Carpenter makes the (very convincing) argument of the relationship between our self and our ‘not self’ and how, overtime, this relationship changes who we are; our idenitity and how we behave, or, our ethics.

So, amongst all the reasons for prioritising one project over another (especially given our finite time on this Earth), thinking about the influence of a project on shaping who we might become feels valuable. It also feels terrifying. What if I choose the wrong project? Do I become a version of myself I never wanted to be? But, in that terror is also freedom; an acknowledgement of the privilege that we have a choice at all.

Whilst it may seem terrifying, it feels less terrifying than the opposite, which is to not think about this, take project after project and then wake up as a person you don’t recognise (or worse, don’t particularly like) in 20 years of doing what will be, by default, your life’s work.

Other observations
February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

February 17, 2026

Visibility and confidence

How might we become less reliant on other people’s reaction to our work and the confidence to make more of it?

February 10, 2026

Proof of existence

Why do I feel compelled to share my work with anyone at all? Isn’t it enough just to make it for me?

February 3, 2026

Something beyond raw materials

Some work, like some meals, stand out more than others. So what’s on the plate or canvas that goes beyond ingredients or paint?

January 27, 2026

Effort has value

Whether we’re aware of it or not, humans tend to be able to feel the human effort behind work.

View all