December 12, 2023

Circuit breaking

It’s easy to get comfortable with our art supplies, our ideas, and our path – especially when what we’re doing has people’s attention. I’m a watercolourist, I tell people. I work in children’s literature, I say. My work is characterised by whimsy, humour, strong characters and quiet minimalism. That’s what people like, it’s what they expect.

But what if it wasn’t?

What if I created work with heavy lines and strong, bold colours? What if something I made was more serious and less humourous than ‘usual’. What if I started working in a different medium? Maybe this would upset a few people? Maybe people would stop paying attention? Maybe the cost of doing the unexpected is career-ending?

Maybe the cost of not doing this is higher.

Other observations
July 7, 2026

Polishing the rice

What can I learn from how brewers help or hinder the flavour profile of rice when they’re making sake?

June 30, 2026

14,500 days unnoticed

If I’ve only noticed the sunrise a handful of times out of tens of thousands of daily opportunities. What else have I missed?

June 23, 2026

Ready? Catch!

If we never know when the world will offer us a new idea, how can we best prepare for the moment when it inevitably comes?

June 16, 2026

Brain, Heart, Hips and Feet

If you feel like dancing, you probably wouldn’t book last minute tickets to a Chopin concert. So what’s bad music? And can bad books exist?

June 9, 2026

Exposure matters less and less

What changes in an art practice when the sharing of the work one makes becomes secondary to making the work in the first place?

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