December 12, 2023

Circuit breaking

It’s easy to get comfortable with our art supplies, our ideas, and our path – especially when what we’re doing has people’s attention. I’m a watercolourist, I tell people. I work in children’s literature, I say. My work is characterised by whimsy, humour, strong characters and quiet minimalism. That’s what people like, it’s what they expect.

But what if it wasn’t?

What if I created work with heavy lines and strong, bold colours? What if something I made was more serious and less humourous than ‘usual’. What if I started working in a different medium? Maybe this would upset a few people? Maybe people would stop paying attention? Maybe the cost of doing the unexpected is career-ending?

Maybe the cost of not doing this is higher.

Other observations
September 29, 2026

I feel like drawing flowers

When you feel like drawing flowers, but someone will pay you to draw monkeys, what comes first?

September 8, 2026

No shortcuts

You may be able to find a tool or technique to make a process or drawing more efficient. A digital camera show the photographer the result of their work quicker than a film camera, but it doesn’t make the photo better or the photographer more competent. One still needs to understand tone, colour and composition… Continue reading No shortcuts

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