December 12, 2023

Circuit breaking

It’s easy to get comfortable with our art supplies, our ideas, and our path – especially when what we’re doing has people’s attention. I’m a watercolourist, I tell people. I work in children’s literature, I say. My work is characterised by whimsy, humour, strong characters and quiet minimalism. That’s what people like, it’s what they expect.

But what if it wasn’t?

What if I created work with heavy lines and strong, bold colours? What if something I made was more serious and less humourous than ‘usual’. What if I started working in a different medium? Maybe this would upset a few people? Maybe people would stop paying attention? Maybe the cost of doing the unexpected is career-ending?

Maybe the cost of not doing this is higher.

Other observations
June 2, 2026

The Usual

Is there value in being consistent & predictable? Is there value in the opposite?

May 19, 2026

It came outta nowhere

Could thinking of ourselves as a characters in an unwritten movie help us process good and bad surprises and make the movie more interesting?

May 12, 2026

Lists work

How do I organise, prioritise and complete the life shrapnel that gets in the way of making more significant work? Can an empty square help?

May 5, 2026

Quentin Dupieux makes films

Why bother making a weird idea that’s really difficult to make if it won’t make you money, find an audience?

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