November 2, 2021

On being everything to someone

It’s tempting to make projects that shoot for the broadest appeal – something for everyone. After all, if there’s something in it for everyone, then everyone will want it, right?

But the problem with ‘something for everyone’ is that it’s never everything for someone. And in a world of hyper-personalisation, where ads and products are being ever more targeted based on likes and interests, if it’s not everything for someone then it’s just irrelevant.

Because the internet can help us reach billions of people on any given day, shipping everything for someone is more likely to have that person pass it along to someone like them. And if that happens enough, if the work is specific enough and connects with enough of those people for whom you’ve made it, you’ve got an audience.

Depending on what you make, that audience may not be big enough to run a business or get the green light for a publisher, but even if that doesn’t happen you can sleep better at night knowing that you’ve made a difference to a few. It’s better than making a ho-hum difference (or none at all) to many.

Other observations
July 7, 2026

Polishing the rice

What can I learn from how brewers help or hinder the flavour profile of rice when they’re making sake?

June 30, 2026

14,500 days unnoticed

If I’ve only noticed the sunrise a handful of times out of tens of thousands of daily opportunities. What else have I missed?

June 23, 2026

Ready? Catch!

If we never know when the world will offer us a new idea, how can we best prepare for the moment when it inevitably comes?

June 16, 2026

Brain, Heart, Hips and Feet

If you feel like dancing, you probably wouldn’t book last minute tickets to a Chopin concert. So what’s bad music? And can bad books exist?

June 9, 2026

Exposure matters less and less

What changes in an art practice when the sharing of the work one makes becomes secondary to making the work in the first place?

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