November 2, 2021

On being everything to someone

It’s tempting to make projects that shoot for the broadest appeal – something for everyone. After all, if there’s something in it for everyone, then everyone will want it, right?

But the problem with ‘something for everyone’ is that it’s never everything for someone. And in a world of hyper-personalisation, where ads and products are being ever more targeted based on likes and interests, if it’s not everything for someone then it’s just irrelevant.

Because the internet can help us reach billions of people on any given day, shipping everything for someone is more likely to have that person pass it along to someone like them. And if that happens enough, if the work is specific enough and connects with enough of those people for whom you’ve made it, you’ve got an audience.

Depending on what you make, that audience may not be big enough to run a business or get the green light for a publisher, but even if that doesn’t happen you can sleep better at night knowing that you’ve made a difference to a few. It’s better than making a ho-hum difference (or none at all) to many.

Other observations
December 30, 2025

Procrastination or rest?

How do I know if reading books, playing video games, going for walks and doing chores around the house is procrastination or rest?

December 23, 2025

Not a dream, a job

Is being a ‘full-time illustrator’ all it’s cracked up to be or do we romanticise this way to make money because it reminds of childhood?

December 16, 2025

The elements of beauty

Beauty comes in many forms, in many different times, to many different people. So, what makes something beautiful?

December 9, 2025

Which idea next?

If an artist finds themselves with too many ideas, is there a deceptively simple way to decide which idea we should work on next?

December 2, 2025

Making a map of dead ends

If we can more easily see the paths we shouldn’t follow, does that make finding the correct one easier?

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