November 2, 2021

On being everything to someone

It’s tempting to make projects that shoot for the broadest appeal – something for everyone. After all, if there’s something in it for everyone, then everyone will want it, right?

But the problem with ‘something for everyone’ is that it’s never everything for someone. And in a world of hyper-personalisation, where ads and products are being ever more targeted based on likes and interests, if it’s not everything for someone then it’s just irrelevant.

Because the internet can help us reach billions of people on any given day, shipping everything for someone is more likely to have that person pass it along to someone like them. And if that happens enough, if the work is specific enough and connects with enough of those people for whom you’ve made it, you’ve got an audience.

Depending on what you make, that audience may not be big enough to run a business or get the green light for a publisher, but even if that doesn’t happen you can sleep better at night knowing that you’ve made a difference to a few. It’s better than making a ho-hum difference (or none at all) to many.

Other observations
December 10, 2024

Building muscles

No one expects me to run a marathon if I can’t even run 5km but when it comes to art, do we also need to build muscle?

December 3, 2024

It’s never felt more like work

Should picture book making feel like work? Or should it feel like some utopia where someone pays me for ‘art’?

November 26, 2024

Rendering the invisible

Perhaps the role of an artist is to render the invisible so we become more attentive to the world as it is?

November 19, 2024

The preparation ritual

Can a piece of paper create more connection than a wifi-enabled digital device when it comes to art?

November 12, 2024

The other side of loss is opportunity

Loss is difficult; we often like what we had more than what we may have. But how do we know unless we make space for the new in our lives?

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