It’s much easier to tell a group of friends that I have a rule – Fridays and Sundays are for studio work – than to say “I’d prefer to stay home and work in the studio on Fridays and Sundays.” Preferences can be bargained with, “Oh, just this once!” they say, “You work too hard” or “You can’t work all the time”. When it’s a preference, it’s flexible, when it’s a rule, it’s not. People understand rules and they respect them. It’s not that I don’t want to see them, or I’d prefer to stay indoors like a hermit and paint, no, it’s not that at all. It’s just, I have a rule.
Keeping warm
Why is it more difficult to make creative work when I’ve rested all day? Shouldn’t the energy I’ve saved through rest be fuel to maximise creative output?
Feeding off in-person energy
If something feeds the soul and something else drains it, why is it so difficult to prioiritise the thing that’s good for us?
Permission to be done
How do we know when something is done and what’s the value of calling something done even if we’re not happy with how it turned out?
A confident line over a competent line
A line can be one of two things: confident or competent. Can it ever be both?
I have to work today
What if, on the days we don’t feel like making art, we do anyway? In the same way that we show up to our day jobs when we don’t fee like it?