It’s much easier to tell a group of friends that I have a rule – Fridays and Sundays are for studio work – than to say “I’d prefer to stay home and work in the studio on Fridays and Sundays.” Preferences can be bargained with, “Oh, just this once!” they say, “You work too hard” or “You can’t work all the time”. When it’s a preference, it’s flexible, when it’s a rule, it’s not. People understand rules and they respect them. It’s not that I don’t want to see them, or I’d prefer to stay indoors like a hermit and paint, no, it’s not that at all. It’s just, I have a rule.
Can I do this?
Where does the motivation for beginning mark making come from? Why would I even try in the first place?
Visibility and confidence
How might we become less reliant on other people’s reaction to our work and the confidence to make more of it?
Proof of existence
Why do I feel compelled to share my work with anyone at all? Isn’t it enough just to make it for me?
Something beyond raw materials
Some work, like some meals, stand out more than others. So what’s on the plate or canvas that goes beyond ingredients or paint?
Effort has value
Whether we’re aware of it or not, humans tend to be able to feel the human effort behind work.