April 13, 2021

Too many threads

Staying focussed on creative work – one project at a time – is difficult. In fact, it’s probably one of the hardest things to do in the new attention economy we live in. We’re exposed to millions of snippets, moments, and ideas every day – each one is a thread on which the creative brain can pull in order to invent a new piece of art.

So how does one prioritise? Well, deadlines help. Once you have that elusive ‘contract’ with a publisher, you’re obliged to deliver against it. The problem is contracts are elusive. Having someone care about your work, at all, is elusive. So, if those two external motivations don’t exist, what’s left? The only answer is the artist themselves.

What questions are you trying to answer?

The drive to make things (art, performance, software) comes from our need to answer the questions that percolate in our minds. For me, I use the medium of pencil and watercolour, words and pictures, to play through scenarios and what-ifs? For example, Queen Celine (before she was a book) was attempting to answer the question, “What if our national borders closed for good? What if nothing – the people, the things we produce in a society – never change? Is change good and necessary? Are we better off because of it?” I prioritised her because, for me, I wanted to know the answer to that question.

Pip and Pop, my webcomic that isn’t published by a traditional publisher, was and remains important. The question about how we resolve intergenerational communication and the growing divide between the old and young created a burning need in me to work through the pros and cons of each generation’s perspective on things. What I’m learning from that simple comic is that there’s a lot to learn from one another.

Perhaps, instead of thinking about all those creative projects that are drawing our interest, we can reflect, rather, on the questions we seek to answer for ourselves and prioritise answering those in whatever medium helps us work through it. We may even find (like I did with Queen Celine) that there are enough people trying to answer the same question such that someone in a position of influence thinks it’s worth re-producing 10,000 times with that elusive contract after all. And if not, at least you’re answering the questions in life that are important to you – you’re finding the answers you seek.

Other observations
February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

February 17, 2026

Visibility and confidence

How might we become less reliant on other people’s reaction to our work and the confidence to make more of it?

February 10, 2026

Proof of existence

Why do I feel compelled to share my work with anyone at all? Isn’t it enough just to make it for me?

February 3, 2026

Something beyond raw materials

Some work, like some meals, stand out more than others. So what’s on the plate or canvas that goes beyond ingredients or paint?

January 27, 2026

Effort has value

Whether we’re aware of it or not, humans tend to be able to feel the human effort behind work.

View all