March 16, 2021

Alone days

I spend approximately 90% of my non-sleeping hours in collaboration or conversation with others. From the moment I wake up and say good morning to my partner, I enter into almost hourly context switching – different people, different problems, different conversations. Then, when evening descends, it’s back to dinner-table conversations with loved ones before a final good night and preparing for doing it all over again tomorrow.

As my day job has progressed from maker to manager, the way I split my time (and the resulting way my attention has had to adapt) has not been optimal for the art practice or deep thinking. In the last few years, alone-days have evolved as a circuit-breaker to try to help me adapt to straddling the art and non-art world which I inhabit. They are a stand-in for what I’ve lost in the process of ‘advancing’ my software design career – solitude.

It’s not a very creative term for it, but alone days are literally that – an entire day that I spend alone and disconnected from technology. Armed with a simple pen, notebook and perhaps a magazine or novel, alone days provide an immediate and short-lived space to let the mind wander. They are days that involve me reflecting on and synthesising the last few months of focus and effort. What did I learn? What did I enjoy? What should I try to avoid repeating? What should I do more of? They are critical not only to my mental health, but for re-focusing my attention on what’s important for the coming few months. Without these alone days, it’s easy to drift; to become opportunistic rather than intentional about how I spend my one, precious, unrecoverable resource – time.

In a world that is shouting endless slogans, truths and non-truths, one where media companies and individuals are constantly vying for and trying to commercialise my attention, alone-days have become my defence mechanism. I don’t know if it’ll be sustainable or, as the world continues to hyperbolise and intensify it’s demand on my attention, I’ll need more of them. But, right now, they actively create a space for that ever-elusive state of silence. It’s only through quieting the world that I can start to hear the thoughts that are charging through my own mind – it turns out that, for the artist, they’re the most important ones. It’s the voice that others want from us and are too busy to listen to for themselves.

Other observations
April 21, 2026

Keeping warm

Why is it more difficult to make creative work when I’ve rested all day? Shouldn’t the energy I’ve saved through rest be fuel to maximise creative output?

April 14, 2026

Feeding off in-person energy

If something feeds the soul and something else drains it, why is it so difficult to prioiritise the thing that’s good for us?

April 7, 2026

Permission to be done

How do we know when something is done and what’s the value of calling something done even if we’re not happy with how it turned out?

March 24, 2026

I have to work today

What if, on the days we don’t feel like making art, we do anyway? In the same way that we show up to our day jobs when we don’t fee like it?

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