September 8, 2020

Credentials aren’t that important for most things

If I’m undergoing surgery, I want to know my surgeon has done the appropriate study and achieved the appropriate certificates so I don’t die under her knife. If I’m building a new house, I want to know my builder has gone through appropriate training and has the appropriate certificates to build my house so that it doesn’t burn down or collapse.

But, the thing is, I’ve never been asked for my certificate of art-making by any publisher, ever. It turns out we don’t need credentials for many jobs, really, especially creative work.

I don’t have a fine arts degree. I never went to an Illustration College or Art School. I still feel a sense of guilt about this. Imposter syndrome is real, for sure. I’ve pondered long and hard about whether I should attend art school in retrospect, just to get those credentials – that piece of paper that won’t necessarily improve my professional career options but may calm the angst I feel when I think about the legitimacy of the work I make and the platform on which I now work.

Reflecting upon my own journey to becoming a professional artist, the one thing it comes back to, at it’s most basic, is that I made the work I wanted to make, and then I told people about it. Yes, there’s an argument for the effect of strengths and talents, good timing, and all the privilege and luck that goes into being the sort of personality that sees opportunities instead of barriers. In the end, it wasn’t the credential I needed (no publisher has ever asked for me degree), it was the ability to overcome, or at least accept, fear.

Maybe that’s the only thing we need to learn as artists? Overcoming the fear of being judged for our work, the fear of failing against expectations (our own and others), the fear of being found out as a pretender. No credential or certificate will give us that. The only thing that does is practice. We just have to make the work, over and over again. Yes, it is scary. Almost debilitatingly so. But no one will die if we get it wrong, and we (and our world) stand to benefit immensely if we’re generous enough to give it a go, and we get it right sometimes.

Other observations
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Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

February 17, 2026

Visibility and confidence

How might we become less reliant on other people’s reaction to our work and the confidence to make more of it?

February 10, 2026

Proof of existence

Why do I feel compelled to share my work with anyone at all? Isn’t it enough just to make it for me?

February 3, 2026

Something beyond raw materials

Some work, like some meals, stand out more than others. So what’s on the plate or canvas that goes beyond ingredients or paint?

January 27, 2026

Effort has value

Whether we’re aware of it or not, humans tend to be able to feel the human effort behind work.

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