September 1, 2020

The problem with pure

A purist will tell you that unless you start and finish a painting outdoors, then you can’t call it a Plein Air painting. A purist will tell you that oil paints are the only true medium. A purist will tell you that using anything but lightfast pigments makes your work less legitimate; even worse, that digital painting isn’t ‘real painting’.

The thing with pure is that pure always changes. Right now, the purists turn their nose up at acrylic artists because ‘it’s not the real thing.’ Back in Turner’s day, you never had the real thing unless your assistant spent hours on end grinding your pigments on location for you. Does that mean that oil painters who use tube-paints today are any less pure or legitimate?

Art and technology co-exist. It will continue to do so forever. That doesn’t make an artist’s work today any less ‘pure’ than yesterday’s artist, or any purer than tomorrow’s. What matters is that artist’s are making work they want to make. Work that matters to them. The medium is, in so many ways, impure, no matter when and how you look at it.

Other observations
April 22, 2025

The craft of digital drawing

The problem with digital art is that there’s always a piece of software between me and the work, but maybe that’s what makes it a craft?

April 15, 2025

Extending the antenna

Where do ideas come from? How does one make something from nothing? Perhaps it’s about recognising the importance of a state of receptivity?

April 8, 2025

Old cheese

Just because something takes a long time, doesn’t mean it’s old, slow or worse. In fact, in the case of cheese, it may be better.

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