September 1, 2020

The problem with pure

A purist will tell you that unless you start and finish a painting outdoors, then you can’t call it a Plein Air painting. A purist will tell you that oil paints are the only true medium. A purist will tell you that using anything but lightfast pigments makes your work less legitimate; even worse, that digital painting isn’t ‘real painting’.

The thing with pure is that pure always changes. Right now, the purists turn their nose up at acrylic artists because ‘it’s not the real thing.’ Back in Turner’s day, you never had the real thing unless your assistant spent hours on end grinding your pigments on location for you. Does that mean that oil painters who use tube-paints today are any less pure or legitimate?

Art and technology co-exist. It will continue to do so forever. That doesn’t make an artist’s work today any less ‘pure’ than yesterday’s artist, or any purer than tomorrow’s. What matters is that artist’s are making work they want to make. Work that matters to them. The medium is, in so many ways, impure, no matter when and how you look at it.

Other observations
November 19, 2024

The preparation ritual

Can a piece of paper create more connection than a wifi-enabled digital device when it comes to art?

November 12, 2024

The other side of loss is opportunity

Loss is difficult; we often like what we had more than what we may have. But how do we know unless we make space for the new in our lives?

November 5, 2024

Consistent or resistant

Is my aversion to change about my wanting to be consistent? Or, am I actually being resistant and am I losing something because of that?

October 22, 2024

Critically unacclaimed

What do reviews really tell us about the work? Does it matter who’s reviewing?

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