August 27, 2019

Draw everyday. Or don’t.

Is there anyone else out there whose suffering from having 100 beautiful sketchbooks of which you’ve used just one or two pages? Rest easy, neither has one of the most prolific illustrators of books in Australia, Bruce Whatley.

When Bruce posted this to Instagram, I felt my entire body relax. I too have many half-finished sketchbooks. A library of reminders about the times I read another piece of advice about drawing everyday, saw some wonderful sketches of people who practice like this, and thought, right, now is the time for me to do the same thing.

But sure enough, 2-3 pages into a beautiful new sketchbook, the momentum fades. The only time I’ve ever been able to keep it up is when I’m on holidays and not spending my day commuting to and from my day job. There’s some part of me that wishes I could be like ‘them’. The ones who sketch. The ones who draw something, anything, everyday. But most of the time, I just don’t feel like it. I’ve had a hard day at work and my creative energy is spent, or, I value other things more (like spending time with my wife and cat).

You might be different, too

Hard and fast ‘rules’ for a creative practice have never worked for me. Write 1000 words a day, drink a cup of celery juice every morning, meditate at 5:45am on days starting with T. They’re blanket statements, said by a few people, but assumed to apply to many. But we’re all different. Each person works in their own way, and has their own limitations. Family, life, work, health, it’s different for everybody. So what works better for me is doing the work to understand my own constraints, and then optimise for that. For example, I’m a morning person, so, in general, I do my most creative or focussed work before people wake up. It also means that at night, I rest. I’ve tried working around this, but it never works. Not only do I produce less interesting work if I work at night, but the ‘habit’ doesn’t stick.

I think the only ‘rule’ is that there are no rules. Everyone is different, so we do what we can, when we can, and if it’s not how others operate, then that’s OK.

Other observations
October 1, 2024

Surrounding the idea

Might the act of mark-making be a pathway to the subconscious where we get to meet a version of ourselves we’ve never met before?

September 24, 2024

Feeling useful

Why are there so many people wanting to be published in children’s literature?

September 17, 2024

Abstraction and invitation

What benefits come from leaving room for another human or two to intepret and find meaning in the work we make?

September 10, 2024

The amateur artist

Why do so many kids stop drawing at the age of about 10. And what if they didn’t?

September 3, 2024

Who decides?

Who decides what gets to embed and live continuously in our culture for hundreds of years? And if it does, does it mean it’s good?

View all