August 20, 2019

How to be original

I’ll have the mushrooms sautéed in mashed banana, topped with salmon eggs. No, wait, I’ll try the chocolate-covered rare lamb fillet with vanilla ice-cream and seaweed butter, instead.

People don’t want original, even if they say they do. What people want is something that’s familiar, but just a little bit different to before. Evolution, not revolution.

Original is hard. It’s hard to stomach. Hard to make. Hard to sell. That’s why genres exist. Every genre – whether it’s food, books, or music – has a formula. Being ‘original’ really means taking that formula and tweaking just one element, or two, to make something that feels decidedly new.

Other observations
March 3, 2026

The ancestors are speaking

What might we be able to tell ourselves and listen for in order to provoke more positive energy and action in our art practice?

February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

February 17, 2026

Visibility and confidence

How might we become less reliant on other people’s reaction to our work and the confidence to make more of it?

February 10, 2026

Proof of existence

Why do I feel compelled to share my work with anyone at all? Isn’t it enough just to make it for me?

February 3, 2026

Something beyond raw materials

Some work, like some meals, stand out more than others. So what’s on the plate or canvas that goes beyond ingredients or paint?

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