March 12, 2019

Everything is a draft

I’ve come to the realisation that everything is a draft. Every drawing I do, everything I write, and yes, even every printed book. I’ve published nine books now, and yes, they’ve all been drafts… for my next book, and the one after that, and the one after that.

Once you realise that everything isn’t final, that everything you do is a learning experience and, in most cases (unless you’re a surgeon), not fatal, the pressure’s off. Nothing will ever be perfect, even though, at the time, you truly believe you’re doing your best work. And you are, with the knowledge you’ve got so far.

Now, I look back at my body of work and I can clearly see how much I’ve evolved. How much I didn’t know back then is obvious. In order to do your best work, you’ve just got to do the work. Over and over again. Draft, after draft, after draft.

Other observations
March 24, 2026

I have to work today

What if, on the days we don’t feel like making art, we do anyway? In the same way that we show up to our day jobs when we don’t fee like it?

March 17, 2026

Scared of progress

The problem with progress is that we’re likely to learn that we’re either not good enough or not ambitious enough. But maybe there’s no other way?

March 3, 2026

The ancestors are speaking

What might we be able to tell ourselves and listen for in order to provoke more positive energy and action in our art practice?

February 24, 2026

Can I do this?

Where does the motivation for beginning mark making come from? Why would I even try in the first place?

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