I’m delighted to announce that my first picture book, and my first collaboration with Jackie French have both been given a shiny notable sticker by the industry’s premier body, the CBCA.
While the last you thing any one should ever illustrate for, it’s recognition, it’s still a lovely feeling to know that someone else other than me saw something in Eric’s story, something unique and special, worth sharing with the wider world.
Is there value in being consistent & predictable? Is there value in the opposite?
What if we chose to build our own neural networks instead of the networks of enormous and extractive software companies?
Could thinking of ourselves as a characters in an unwritten movie help us process good and bad surprises and make the movie more interesting?
How do I organise, prioritise and complete the life shrapnel that gets in the way of making more significant work? Can an empty square help?
Why bother making a weird idea that’s really difficult to make if it won’t make you money, find an audience?
